一棵樹的內部和外部
A Tree’s Insides and Outsides.
在2020年，我的「花園計畫」希望能更進一步地研究太魯閣族人如何在山上的家中種植植物。透過與Yaya阿姨一起園藝，我想記錄下她對植物的知識和生活，並嘗試以我們花園裡的有機材料製作成一系列圖紙。這將使我與一個特定家庭的互動擴展到社區中的另一個家庭，從而擴展了「家族樹」的概念。我們將在大同部落舊址規劃一個花園，並對這座花園進行更多的想像。
In 2020, my garden project wishes to research further about how the Dali-Datong Truku people live with plants in their dwellings on the mountain. Through gardening with Truku family, I would like to document her knowledge and life with plants, possibly producing a series of drawings incorporating the organic material of our gardening. This would extend my engagement with one particular family to another in the community, extending the idea of the ‘family tree’. Within our exchange, there is the possibility to plan a garden at the previous site of Datong, and talk about what an imagination of that garden could be.
余曉冰
出生於澳洲亞伯斯的馬來西亞客家裔藝術家，目前居住於台北。她對流離失所、移動和重組的過程展開調查，並將之視為文化認同的一部分。以此為基礎，她有著豐富而多樣的創作，例如由雕塑、聲音、建築和有機體（如植物、土壤和蟲子）組成的裝置作品，而這些不斷變化的材料和意義也反映了移動經驗裡的中間性和適應性。
Candice Jee
An artist born in Perth, Australia of Malaysian Hakka descent, and currently based in Taipei. Her work investigates processes of displacement, movement and rearrangement as part of cultural identification. This generates various outcomes, in installations often consisting of sculpture, sound, architectural interventions, and living organisms (such as plants, soil and worms.) Constantly shifting materials and meanings echo the in-betweenness and accommodation of diaspora/migrant experience.